My work over Jan - August at Great Northern Way this year brought me a variety of very interesting, unusual, and challenging projects, almost all of which had sculpture involved. From pipe-fitting PVC pipes to chainsawing styrofoam blocks, I had my hands on all sorts of  It was really fun and I learned some new skills along the way! 
Read More below to see the post...

Chicken Girl 
Scenic Paint by Amira Emma Routledge!
Written by Derek Chan
Presented by rice & beans theatre & Vancouver Civic Theatres at the Annex Theatre, May 2019
Set Design by Shizuka Kai
Construction & installation by MJY Fabrication

Fake Rocks 
Over December 2018 - January 2019 I had the pleasure of casting multiple cement "rocks" for people to test their shoes on at Mountain Equipment Co-op, through my work at Great Northern Way Scene Shop. This was actually the second round of rocks that were built at GNW; this year's rocks were made to be smaller, easier to step on and off, accompaniment to the first round which were bigger & steeper. Props artist Tara Wallace created the sculpture and the mould, with support from Che Campbell who created the rotating table to cast the rocks in. 
Here are some "behind the scenes" shots of this process! Each rock has 4 adjustable feet set in with rebar posts and a piece of metal mesh to support the structure, as well as a styrofoam core to lessen the weight of the finished piece. They were all finished with a mixture of concrete sealant product, tint, and some of the cement for texture. 

2018 was a year full of painting, and sculpture. I continued working at Scenic Oasis as the Head Painter until October, at which point I switched back to freelancing and started working at another scene shop in addition.
At Scenic Oasis we do all kinds of set pieces and props for commercials mainly, although we also did some pieces for the TV show "Man in the High Castle" and some pieces for real-life actual places (gasp!). Read more and scroll down for the results and some process shots.
Seen above; my "office".

Love Over Bias is the name for this commercial released by Proctor & Gamble before the Olympics in Peong Chang. I recently discovered it and saw that I painted the scenic elements we provided at Scenic Oasis, back in April 2017. Wow! I had no idea that the kid's bedroom ceiling was in the same project as the dark wooden sign with Korean characters and the giant blue square arch at the ski hill! Cool! And I'm very happy to think that people enjoyed this work.  Scroll down to see some shots of the stuff we did in the shop and on location.
Proctor & Gamble owns many well-known brands and their Chief Brand Officer had this to say about the campaign according to this article: "At P&G, we aspire to create a better world for everyone - a world free from bias, with equal representation, equal voices and equal opportunity. When the world is more equal, society is better and it leads to economic growth.  Unfortunately, equality is limited by biases, and we recognize we can use our voice to be a force for good and shine a light on the bias that limits human potential.  We hope to promote open discussion, influence attitudes, and ideally change behaviour.”  
I'm glad to see such a positive and socially-beneficial purpose behind a project I worked on.
Production Design by Michelle Foote-Derrick
Director Alma Har'el  Production Company Epoch FIlms

Scenic Oasis Film provided the set piece for this commercial, namely the exploded wall interior and exterior. I had the privilege of sculpting/painting  these pieces as Head Painter with the SOF team. We built the parts in our shop and then installed them into this house in East Van (after removing the existing window). See process shots below the Youtube link to find out more. 
Seeing it now I wish I had painted more of the ceiling interior... Ah well. Oftentimes I never know what's going to be in the shot or not.

Sometime in 2017 we made several table tops for this commercial for Outback Steakhouse. I recognize them in the video because we refinished them three times to get the right color/texture that the client wanted. I can see why! The rough, charred texture of the table works really well with the steak. It's cool to see how that one detail had such a big impact on the aesthetic of the commercial.